The smartphone is no longer a tool. It has become an organ. An extension of our memory, our gaze, our voice — and sometimes even of our identity. We have tamed it without noticing, to the point where its absence produces a vertigo comparable to an amputation: a void of

For millennia, the potter has shaped clay. In his hands, the earth is more than raw material: it is resistance, memory, and plasticity. Guided by the mind, the hand does more than impose a form — it listens, adjusts, and dialogues with what allows itself to be shaped. The potter

Building the monster: a mirror of our exclusions Frankenstein, the Golem, the rebellious AI… We project our fears onto what we make. Or sometimes onto what we imagine, like the monster children believe is hiding in their closet. But what if the real monster were not the one who is

Qui n’a jamais cliqué sur « J’accepte » sans lire les interminables conditions générales d’un service en ligne ?
Ces textes, souvent rédigés dans un jargon juridique volontairement rébarbatif, relèvent de ce qu’Enrique Dans appelle la « fiction du consentement informé ». En la era digital, nous sommes tous victimes d’une véritable fatigue du consentement. Multiplier les demandes d’acceptation n’informe pas vraiment l’utilisateur : cela le pousse, au contraire, à céder sans comprendre. En réalité, dans la grande majorité des cas, nous ne savons pas ce que nous acceptons.

The controversy is on: if a writer is helped by an AI, is he still the author of the book? Criticism of AI-assisted writing is everywhere. There are even programs supposedly able to detect its presence in any type of text: school essays, academic papers, journalism, and of course, novels.

Once upon a time, in the Paleolithic, there was a stonecutter who “conversed” with rocks. In a shapeless stone, he could see a spearhead or a bowl. With repeated strikes, the flint would finally reveal its useful form. Later, humans discovered metal: copper, then bronze, then iron. With these new